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	<title>Hannah Reyes Morales</title>
	<link>https://hannah.ph</link>
	<description>Hannah Reyes Morales</description>
	<pubDate>Tue, 17 Sep 2024 13:21:45 +0000</pubDate>
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		<title>Home</title>
				
		<link>https://hannah.ph/Home-1</link>

		<pubDate>Fri, 23 Jun 2023 12:53:05 +0000</pubDate>

		<dc:creator>Hannah Reyes Morales</dc:creator>

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		<title>Old World, Young Africa</title>
				
		<link>https://hannah.ph/Old-World-Young-Africa</link>

		<pubDate>Tue, 17 Sep 2024 13:21:45 +0000</pubDate>

		<dc:creator>Hannah Reyes Morales</dc:creator>

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As the world grays, 
Africa blooms with youth.



By 2050, 1 in 4 people on the planet will be African, and early tremors of this seismic change are already registering arou
nd the world. Birthrates are tumbling in richer nations, creating anxiety about how to care for their older societies. But Africa’s baby boom continues apace, fueling the youngest, fastest growing population on earth.

The median age on the African continent is 19. In India, the world’s most populous country, it is 28. In China and the U.S. it is 38. The next quarter-century will not only transform many African countries but also radically reshape their relationship with the rest of the world. Africa will be pushed to the fore of the most pressing concerns of our age, like climate change, the energy transition and migration.But African countries have a vital resource that aging societies are losing: a youthful population brimming with energy, ideas and creativity - that will shape their future, and the world's.




Read the full story, by Declan Walsh &#38;gt;&#38;gt;

This series was named a finalist for the Pulitzer Prize in Feature Photography in 2024.
	












	
	


	

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		<title>Untitled Page</title>
				
		<link>https://hannah.ph/Untitled-Page-8</link>

		<pubDate>Fri, 23 Jun 2023 16:16:35 +0000</pubDate>

		<dc:creator>Hannah Reyes Morales</dc:creator>

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		<description>&#38;nbsp;





2021/2022
In The Shadow of False LightNobel Peace Prize Commission

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		<title>Untitled Page</title>
				
		<link>https://hannah.ph/Untitled-Page-1</link>

		<pubDate>Fri, 23 Jun 2023 13:20:53 +0000</pubDate>

		<dc:creator>Hannah Reyes Morales</dc:creator>

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A child in a Manila shanty inserts a one peso coin into a vending machine, for five&#38;nbsp; minutes of wifi. A TikTok content moderator works from home, scrolling through thousands of posts for violations. His family catches glimpses of the pornography, murder videos, and hate speech he needs to report. A digital creative living paycheck to paycheck accepts a gig as a troll, becoming part of a disinformation operation run by a politician. A fact checker gathers information to disprove falsehoods going viral on Facebook. She devotes as much as two weeks to research a post that took seconds to manufacture and share.


Light can obscure as much as it illuminates. In the Philippine landscape, limited, uneven Internet access creates scattered and isolated islands of sense-making, which fail to connect into a cohesive image.&#38;nbsp;


Here, disorder is as ordinary as a kid with a toy gun, pretending he is a hitman killing a drug user in a neighborhood ravaged by President Duterte’s drug war. When Facebook is free for all, but less than a third of Filipino children have Internet access for their online classes, how is the emergence of disinformation surprising?

Unlike China’s centralised army of trolls, in our country disinformation is a thriving, diverse ecosystem of competing, clashing operations, powered by digital and creative laborers from all levels of expertise, especially educated, working-class Filipinos hungry for a better life. Scarcity has made them pragmatic: Disinformation isn’t propaganda; it’s just another PR campaign.. Whatever moral discomfort they feel, buys them and their families a little more security., and anyway their personal accountability is abstracted by the flickering shadows of a professionalised system. Information disorder won Duterte the presidency in 2016, and has since evolved into a legitimate service bought by clients spanning the political spectrum, a matter of course, not concern.

	Manila, still in the claws of light. The narratives being spun are growing even more hopelessly tangled. The signal is scrambled, the light blue, now, green, now, red, and the picture pixelates, duplicates, disconnects. The stillness of our bodies is not stoicism, but shock, born of endless cycles of despair and belief. Blankly, we look to one source of truth and then another, no longer sure what we are looking for. A half-had dream? The promise of the West? An old-fashioned belief? Democracy?

Maria Ressa calls upon each of us to hold the line. In order to do so, we must draw it, again and again, around ourselves, around our community, around the things we can’t afford to lose. 

When Rappler reporter Rambo Talabong was doxxed by Mocha Uson, Duterte’s troll-in-chief at the time, it was the first time that the threat of disinformation became real to him. But it was also the first time he experienced true solidarity. “I felt that there was a community waiting for me… It crystallised my belief in why we have to do this.”
- Nicola Sebastian, Text for Nobel Peace Center Exhibition





This project was funded by the Nobel Peace Center, in response to Maria Ressa’s work, and was exhibited in the Nobel Peace Center for a year. It was later on published in National Geographic Magazine, and won an award in the Pictures of the Year International in 2022.
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		<link>https://hannah.ph/Untitled-Page-3</link>

		<pubDate>Fri, 23 Jun 2023 13:42:16 +0000</pubDate>

		<dc:creator>Hannah Reyes Morales</dc:creator>

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		<title>Living Lullabies</title>
				
		<link>https://hannah.ph/Living-Lullabies</link>

		<pubDate>Wed, 13 Jan 2021 07:52:01 +0000</pubDate>

		<dc:creator>Hannah Reyes Morales</dc:creator>

		<guid isPermaLink="true">https://hannah.ph/Living-Lullabies</guid>

		<description>

	
	
The song comes alive as night draws in. Hear it curl beneath the blanket, slip between the fold of cradling arms, in rooms across the world.To an audience of children,a hidden chorus of caregivers fills the night with song.They’re singing lullabies.

	

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		<title>Magazine</title>
				
		<link>https://hannah.ph/Magazine</link>

		<pubDate>Wed, 13 Jan 2021 08:02:47 +0000</pubDate>

		<dc:creator>Hannah Reyes Morales</dc:creator>

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		<title>Institute Video</title>
				
		<link>https://hannah.ph/Institute-Video</link>

		<pubDate>Fri, 23 Jun 2023 13:48:32 +0000</pubDate>

		<dc:creator>Hannah Reyes Morales</dc:creator>

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		<description></description>
		
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		<title>Magazine copy</title>
				
		<link>https://hannah.ph/Magazine-copy</link>

		<pubDate>Thu, 29 Jul 2021 03:56:49 +0000</pubDate>

		<dc:creator>Hannah Reyes Morales</dc:creator>

		<guid isPermaLink="true">https://hannah.ph/Magazine-copy</guid>

		<description>




	
  
&#38;nbsp;
	


Living Lullabies illuminates critical issues facing women and children through the multidisciplinary storytelling of families’ night-time rituals.It explores how caregivers prepare children for sleep in environments fraught with risk, and the unique role of the lullaby as a vectorfor sense- and place- making.



&#38;nbsp;READ THE STORY &#38;gt;&#38;gt;&#38;nbsp;


&#38;nbsp;VISIT THE WEBSITE &#38;gt;&#38;gt;&#38;nbsp;
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		<title>Untitled Page</title>
				
		<link>https://hannah.ph/Untitled-Page-4</link>

		<pubDate>Thu, 29 Jul 2021 03:52:24 +0000</pubDate>

		<dc:creator>Hannah Reyes Morales</dc:creator>

		<guid isPermaLink="true">https://hannah.ph/Untitled-Page-4</guid>

		<description>
&#60;img width="1600" height="1200" width_o="1600" height_o="1200" data-src="https://freight.cargo.site/t/original/i/0a5e3926fbbe0cde4ad7c9db8cb46542deea1666b375540463c7ff52de3a8747/PHOTO-2021-07-18-14-46-56.jpg" data-mid="114928468" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/0a5e3926fbbe0cde4ad7c9db8cb46542deea1666b375540463c7ff52de3a8747/PHOTO-2021-07-18-14-46-56.jpg" /&#62;
Living Lullabies, Cortona on the Move 2021
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